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Small Things Like These

Small Things Like These

If you want to get on in life, there’s things you have to ignore so you can keep on.

6.7 (548)2024-11-011h 39m
Drama

Overview

In 1985, while working as a coal merchant to support his family, Bill Furlong discovers disturbing secrets kept by the local convent and uncovers truths of his own; forcing him to confront his past and the complicit silence of a small Irish town controlled by the Catholic Church.

Budget
$3,000,000
Revenue
$12,534,032
Production
Artists Equity, Big Things Films, Wilder Content, Fís Éireann/Screen Ireland

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Cast

Crew

Director
Tim Mielants
Writers
Enda Walsh
Cinematography
Frank van den Eeden

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User Reviews from TMDB

r96sk

r96sk

November 1, 2024

8/10

<em>'Small Things Like These'</em> is absorbing. I basically got exactly what I expected from this one. It's a slow burn, quiet film featuring a stellar, if somewhat understated, Cillian Murphy performance. The pacing is spot on and the story is undoubtedly engrossing, it's one that holds plenty of emotion behind it. It does conclude rather abruptly, I in fact overheard someone nearby remark "that can't be it" when the cut to black happens. That isn't, for me anyway, a bad thing though. Ag…

CinemaSerf

CinemaSerf

November 3, 2024

7/10

A friend of mine used to own a big gay bar in Dublin, and I recall being in it the day that marriage was legalised in Eire. One of the women celebrating was telling us of her childhood at the hands of the nuns in the 1970s. It was a ghastly story of women who hadn't an ounce of compassion between them all, and this film picks up that cudgel and swings it squarely at what it is little better than a religious equivalent of a Dickensian workhouse. The story is told from the perspective of local coa…

B

Brent Marchant

March 21, 2025

6/10

When it comes to minimalism in filmmaking, there’s deftly deliberate understatement, which can be a decidedly valuable asset, and then there’s cryptic obfuscation, which frequently leaves viewers scratching their heads. And, when it comes to this fourth feature outing from director Tim Mielants, the line between the two is undeniably and confusingly razor thin, a tale that’s so exceedingly nuanced and purposely restrained that one often wonders exactly what it’s trying to say. Set in 1985, the f…