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Rope

Rope

It begins with a shriek...it ends with a shot! From beginning to end, nothing ever held you like Alfred Hitchcock's ROPE!

7.9 (3,016)1948-02-011h 21m
ThrillerCrimeDrama

Overview

Two young men attempt to prove they committed the perfect murder by hosting a dinner party for the family of a classmate they just strangled to death.

Budget
$1,500,000
Revenue
$2,200,000
Production
Transatlantic Pictures

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User Reviews from TMDB

T

tmdb47633491

April 7, 2018

9/10

Can't believe I'm only seeing this now. It's great. Basically a play. There couldn't have been more than 15 shots. Ending had me in tears. Shouts out

barrymost

barrymost

August 25, 2020

7/10

Rope was the first Alfred Hitchcock/James Stewart collaboration. They would go on to do "Rear Window", "The Man Who Knew Too Much", and finally, "Vertigo". This being the first, and also a kind of experimental film on Hitchcock's part, it is the weakest of the four. Shot as a play, mainly in one room, and with only a handful of cast members, the concept of how it was done is intriguing even today. Done in roughly a dozen takes, the only times that the camera ever cuts are when it closes in o…

CinemaSerf

CinemaSerf

July 9, 2022

7/10

Now I may be completely off beam here, but there is something ever so slightly homo-erotic about the relationship between John Dall ("Brandon") and Farley Granger ("Philip") in this rather clunky murder tale that is less of a mystery and more of a bragging exercise. The two, having murdered their college friend "David" invite some folks round for a dinner party that shows the pair - especially Dall - as obnoxious men with a profoundly mis-placed superiority complex. As their odiousness is enhanc…

James

James

October 20, 2023

7/10

Somebody should have stopped Hitchcock from all this innovating business…

James

James

October 20, 2023

7/10

**It ends with a shot** Like no film ever did that.

griggs79

griggs79

December 2, 2024

5/10

_Rope_ is often praised for its technical ambition but falls flat in genuine suspense. The single-take gimmick overshadows the storytelling, leaving it feeling more like a stage play trapped in a cinematic format. Jimmy Stewart’s earnest charm feels misplaced here; his usual gravitas is oddly muted, making his presence more distracting than commanding. John Dall is the real standout, injecting a sinister flair into an otherwise tepid cast. The much-lauded homosexual subtext can’t compensate for …