The Living Daylights

Wuchak

September 5, 2018

6/10

_**Solid Bond film with Timothy Dalton taking over as 007**_ "The Living Daylights" was the first of two James Bond films featuring Timothy Dalton as 007. It's a solid Bond flick, but rarely cited when the best films of the franchise are discussed. The "problem" isn't Dalton because he makes a fine James Bond and was what the series needed in 1987 (when the film was released). Although the Roger Moore era (1973-1985) is my favorite stretch of the franchise, mainly because they're so all-aro…

JPV852

April 19, 2020

8/10

Great entry into the series and wonderful debut for Dalton who was charming, and for me far and away better than any of Roger Moore's movies (though found some of his to be entertaining enough). Not all that fond of this theme song but still catchy enough I suppose. Also features some great aerial stuntwork. **3.75/5**

CinemaSerf

July 29, 2022

7/10

So Roger Moore has handed the baton of Ian Fleming's "007" to Timothy Dalton and this first outing is not at all bad. The story is, perhaps, not the best but this is still an action packed adventure with loads of pyrotechnics and daft gadgets that really does move along swiftly for over two hours. "Bond" is assigned to aid would-be defector "Gen. Koskov" (Jeroen Krabbé) from Berlin, along the way encountering the lethal cellist "Kara" (Maryam d'Abo). A bit of fun with the no-nonsense Julie T. Wa…

GenerationofSwine

January 11, 2023

10/10

I don't understand all the hate on Dalton as 007, I actually thought he was a decent Bond, I thought he brought back some of the cold blooded assassin that personified the first of the Connery Era films. And I think he was a much needed change of pace away from Moore's silliness. However, I think some of the hate comes from the change of pace away from the silliness. You get used to things and a lot of people got used to Moore. But, then again, I was 7 when The Living Daylights came out…

drystyx

April 18, 2023

8/10

The last of the very good 007 films. The last of the fun 007 films for sure. Here, Bond is supposed to stop an assassination of a Russian VIP defecting to the West, but Bond senses something, and instead of killing the assassin (a shapely female violinist), he shoots the weapon from her hand. Something is amiss about the defector, and it's obvious to the viewer, though perhaps not obvious to someone who is in the story. We get lots of great scenery, lots of action, lots of wit, and some grea…

I also use to not like this that much and again I like it now but I do prefer Licence to Kill.