

For a Few Dollars More
Per qualche dollaro in più
The man with no name is back... the man in black is waiting... a walking arsenal - he uncoils, strikes and kills!
Overview
Two bounty hunters both pursue the brutal and sadistic bandit, El Indio, who has a large bounty on his head.
- Budget
- $600,000
- Revenue
- $15,000,000
- Production
- PEA, Constantin Film, Arturo González PC, Taurus Film
Tags & Hashtags
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Cast

Clint Eastwood
Manco

Lee Van Cleef
Col. Douglas Mortimer

Gian Maria Volonté
El Indio

Luigi Pistilli
Groggy, Member of Indio's Gang

Klaus Kinski
Juan Wild - The Hunchback

Joseph Egger
Old Prophet

Benito Stefanelli
Luke 'Hughie'

Roberto Camardiel
Tucumcari Station Clerk

Aldo Sambrell
Cuchillo

Luis Rodríguez
Manuel, Member of Indio's Gang

Tomás Blanco
Tucumcari Sheriff

Lorenzo Robledo
Tomaso, Indio's Traitor

Sergio Mendizábal
Tucumcari Bank Manager

Dante Maggio
Carpenter in Cell with El Indio

Mario Meniconi
Train Conductor

Mario Brega
Niño, Member of Indio's Gang

José Terrón
Guy Calloway, Mortimer's 1st Criminal (uncredited)

José Marco
'Baby' Red Cavanaugh (uncredited)

Frank Braña
Blackie, Member of Indio's Gang (uncredited)

José Canalejas
Chico, Member of Indio's Gang (uncredited)
Crew
- Director
- Sergio Leone
- Cinematography
- Massimo Dallamano
- Composer
- Ennio Morricone
Where to Watch
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User Reviews (0)
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User Reviews from TMDB

John Chard
November 15, 2015
I was worried about you - all alone, with so many problems to solve... The middle part of Sergio Leone's dollars trilogy sandwich is a mighty hunk of meat and pasta. Plot has Clint Eastwood and Lee Van Cleef as bounty hunters who form a very uneasy alliance to bring down violent bandit El Indio (Gian Maria Volontè) and his gang. As befitting Leone in this sub-genre, the pic positively oozes charisma and class. His compositions are as striking as the coolness he wrings out from his lead act…

r96sk
January 10, 2022
I'd rank it slightly below the original, but that's unimportant as <em>'For a Few Dollars More'</em> is still a lot of fun. Clint Eastwood is tremendous again as the lead character, while Gian Maria Volonté reappears as a different character - usually I'm not a fan of actors playing different characters in a series, but I must make an exception here as Volonté is terrific; just as he is in the preceding 1964 film. One newcomer to the cast is Lee Van Cleef, who is brilliant too. A story reg…

drystyx
April 18, 2023
This is a waste of some wit. Of the dollar trilogy, this one had some wit to it, but it's wasted. There's an ongoing weird counting that the bounty hunters perform, which finally makes sense in the end. There's an interesting bit about the chimes, and drawing when the chime ends. And we get a name for No Name. But it's wasted on a movie that Leone made during what must have been the days when he really hated some brunette who scorned him. He spends most of the movie contriving so many ways t…

CinemaSerf
September 5, 2024
"El Indio" (Gian Maria Volontè) is a bank robber being hunted by poncho-clad bounty hunter “Mandi” (Clint Eastwood]. Meantime, Lee van Cleef’s debonair “Col. Mortimer" is also on the trail of our bandito and his gang, so the unlikely pair form an uneasy partnership in order to track him down and share the bounty. This most certainly ain't a film about trust - it's about greed, pure and simple and is great! It’s a bit of a slow burn - nothing happens very quickly, but that all adds bundles to the…
dfle3
January 22, 2025
A spaghetti Cornetto trilogy? 75+% A lone man on horseback is seen travelling slowly towards us from a distance. Soon there is a seemingly senseless act of violence. It isn’t clear to me whether this ‘loose end’ is resolved later on in the film or whether it mainly functions as worldbuilding, for the benefit of the viewer, letting them know how little value human lives have in this place. After the opening credits follow on from this, the film proper begins. We see two men in a train car…
dfle3
January 30, 2025
A spaghetti Cornetto trilogy? 75+% A lone man on horseback is seen travelling slowly towards us from a distance. Soon there is a seemingly senseless act of violence. It isn’t clear to me whether this ‘loose end’ is resolved later on in the film or whether it mainly functions as worldbuilding, for the benefit of the viewer, letting them know how little value human lives have in this place. After the opening credits follow on from this, the film proper begins. We see two men in a train car…












